This experimental video project is based on the concept of "Exhaustion" as in a physical and mental state. The division of this video into two parts refers to the external vs. internal exhaustion, in other words "from/to," which the character is experiencing. In Part I, the use of body as a performative element is carried out by the artist herself to portray a sense of weariness and abeyance by perpetual movement against her surroundings. The display of two paintings of animals suffering and exhausted by being incarcerated, as well as the fish confined in a bowl is compared to the character's exhaustion by a mysterious pain she is suffering from.
The second part of this video consists of more dialogues that are focused on the character's self-doubt and frustration in the understanding of her surroundings. The use of habitual performance and a bit of humour in both scenes with the red umbrella differentiates Part II from the somber atmosphere in the previous part. At the last scene, we witness the character walking towards two black bars in the middle of the screen and stands in between them, feeling trapped and confined, while the nature around her is at ease and unbounded. Although there is no concrete narrative in the story being told and we are exposed to incidental sentences, such as "laugh out loud," we can radicalize the intent of the artist, which is to tell us how it feels to become exhausted and to relegate into exhaustion.